Concert Halls
Seated performances, classical programmes and acoustic shows. Publish the interval and the running time, and sell a season pass.
Put the whole show day on one link: set times for every act on the bill, tickets with zero platform fees, and a door that knows who is actually inside.
The truck is outside and nobody has the code.
Three acts, one PA, and a support band running late.
The only time most calendars ever show.
Opener. 30 minutes.
Headline. 70 minutes and a curfew to beat.
Lights up, load-out, do it again Thursday.
The day
Load-in at two, curfew at eleven. That is the job, and it is the same shape every show night.
The listing
Doors. Everything else lives in a group chat, a pinned message, and your head.
The consequence
Plus a tour manager, the engineer, and everyone who bought a ticket for the opener.
The running order already exists. It just is not anywhere the public can read it. Put it on the page
A show is not one time. Add each act with its own start time and they publish in order on the event page, on every plan.
Times render publicly whenever an act has one. Leave them off and the bill still lists in order.
Name, start, end, and a description if the act needs one. Put them in order once and the public page shows the bill exactly as you set it.
"What time is the headline on" stops being a message you reply to and starts being a line on the page you already sent them.
Name every act on the show, including ones who are not on Event Schedule. The event page lists the whole lineup and links each act that has a page, and an act new here gets a page of its own that stays out of search engines until they claim it. The show can surface on their schedule too, so their followers find your room through them. How act pages work
Once a show has parts, photos, video and comments attach to the act rather than to the night, so the opener's set is not buried under the headline's.
12 photos from this set
47 photos from this set
5 photos from this set
Attendees add them with just a name and an email, and everything waits in an approval queue before it appears. Free covers 25 photos per schedule.
Sub-schedules split one schedule into strands, so somebody who only cares about the 80-cap room is not scrolling past two months of main-room shows to find it. Free on every plan.
The FellTonight
With Oda
Oda solo
Seated, and early
Residency
The house band and a guest
Kestrel Hall
4-piece
DJ set
Late
Switch it on and artists submit a show from your public page. Everything waits on your Requests tab until you accept or decline it.
Add your own questions to that form so set length, party size and a link arrive with the request instead of four emails later.
A declined request never touches your calendar, and an accepted one arrives as a real event you can add the running order to.
Give a show more than one ticket type, each with its own sales window, and a rate that kicks in when someone buys several at once. Add-ons that attach to a ticket are on Pro.
Scanning each code on the way in is free on every plan. On Pro the check-in dashboard counts who is actually inside, with a per-ticket breakdown so you can see which tier turned up.
Per-attendee tickets give each guest in a group their own confirmation and their own code, so one person is not stood at the door holding six.
For a free show, registration with a capacity limit works on every plan, so the room still has a real number attached to it. Announced before tickets are ready? Switch on the "Notify me" card and fans can leave an email address on the event page and hear when they go on sale, also on every plan. How the interest list works
People follow your schedule and you email them when a show goes on sale. You can see open and click rates afterwards, so you know whether the announcement actually landed.
The numbers worth knowing before you plan around it: 10 emails a month on Free, 100 on Pro and 1,000 on Enterprise, counted per recipient rather than per send.
Turn on the waitlist and people join once tickets are gone. If one is released they are notified automatically instead of you working back through replies.
Built-in analytics show page views, the devices people are on, and where the traffic came from. Enough to tell whether the announcement did anything, without installing a thing.
On Pro, add a poll to a show and let the room vote on the support slot or which night a residency should move to.
Sell a multi-use pass or a membership that runs across a season of shows, with its own usage tracking and cancellation policy.
Generate a graphic from a show in a story, square, portrait or landscape crop. It is built from the event, so the date, the room and the bill are already right.
Running it online as well? Mark the show as an online event and paste the link to wherever you are streaming. How online events work
A show you have not announced yet can sit on the calendar as a draft, visible to you and never published to the public page.
Eighty capacity or two thousand, the show day is the same shape.
Seated performances, classical programmes and acoustic shows. Publish the interval and the running time, and sell a season pass.
Standing-room venues with regular programming. Build a local following for weekly shows.
Intimate sets, residencies and guest headliners. Two sets a night, each with its own start time on the page.
Singer-songwriter nights, open mics and listening rooms. Create a space for acoustic performances.
Touring bands, local acts and multi-band bills. Every act on the bill gets its own set time and its own photos.
Seasonal programming and festival-style bills. Set the season up once as recurring dates and skip the weeks you are closed.
Create the event once, and use sub-schedules to keep the main room and the back room apart on the same link.
Give the show its parts. Each act gets a name and a start time, and they publish in order on the event page.
Ticket types with their own sales windows, then scan QR codes on the night, free on every plan, and on Pro watch the dashboard against your capacity.
Free registration for as many people as you like. When you start charging, zero platform fees on every plan - the only deduction is your payment processor's own.
Everything you need to publish a schedule and fill the room, for as long as you like.
No expiry, and no card asked for.
Start charging, and the rest of the selling kit arrives with it.
7-day free trial, cancel any time.
For a room with a seating chart, a team, and a domain of its own.
Included free on every selfhosted install.
What venue bookers ask before they move a calendar.
Yes. Publishing your listings, adding set times for every act on a bill, running recurring residencies, splitting rooms into sub-schedules, accepting booking requests, and two-way sync with Google, Outlook or CalDAV are all free forever, and so is free registration for a door that charges nothing. Scanning the QR on a ticket costs nothing on any plan either. Putting a price on a ticket is Pro at R199 a month, which brings the live check-in dashboard for a busy door and passes with it.
Yes, on every plan. Give a show its parts, and each act gets a name, an optional description and a start and end time. They appear in order on the public event page, so the bill answers the question instead of you answering it fourteen times on the day.
No. Name them on the show and the event page lists the whole lineup, with a link to each act that has a page. An act who is not on Event Schedule gets a page of its own, which says which schedule created it and that the act has not claimed it, and it stays out of search engines until they do. If you add their email address, they can claim it by signing in with that address, and the shows you listed stay on it.
Yes. When a show has parts, fan photos, video and comments attach to the part rather than to the whole night, so a three-band bill ends up with three galleries instead of one pile. Everything waits in an approval queue before it appears.
Yes, on every plan. Sub-schedules keep the main room and the back room apart on one link, so somebody looking for the small-room show is not scrolling through two months of everything else.
Yes. Turn on Accept requests and artists can submit a show from your public page. Submissions collect on your Requests tab, where you accept or decline before anything reaches your calendar. On Pro you can add your own questions to that form, so the details you always end up chasing arrive with the request.
Nothing. Event Schedule takes zero platform fees. You connect your own Stripe or PayPal account, the money lands there, and the only deduction is the provider's own processing. A payment link or cash on the door works too. There is no per-ticket cut and no booking fee added on top of your price.
Yes, on every plan. Switch on the "Notify me" card, announce a show before tickets are ready, and the event page offers "Tell me when tickets go on sale". Fans leave an email address, with no account, and hear when tickets go on sale, if the show is cancelled, and again shortly before it starts, plus any change notice you choose to send. You see how many are waiting on the event's Tickets panel before you open sales, and it never counts against your newsletter allowance.
Yes, from the Sales page, on Pro. A Stripe or PayPal sale goes back through the provider, in full or in part, and the sale only changes once the money has moved. A full refund puts those tickets back on sale, and a partial one leaves the ticket valid. A sale taken another way, like cash on the door or a payment link, is marked as refunded and you return the money yourself.
Put the whole day on one link, sell the door with no platform fee, and stop answering the same question fourteen times before soundcheck.
Free forever
No credit card required
Related
Ticket types, QR check-in, and zero platform fees.
Read moreKeep each room's listings apart on one link.
Read moreSet a residency once, and skip the weeks you are dark.
Read moreBands ask for a date on a form, and you choose which of its fields are required.
Read moreWe'd like to use optional cookies for analytics and for marketing, including maps and videos from other sites. Nothing optional is set until you choose. The organizer of a schedule page you visit also sees visits to it, without your name. Learn more